Damase Flute Etudes
2021年2月28日Download here: http://gg.gg/oh69w
*Damase Flute Etudes Definition
*Damase Flute Etudes Notes
*Damase Flute Etudes Meaning
*Damase Flute Etudes Guitar
*Damase Flute Etudes Meaning
*Damase Flute Etudes Piano
Scp containment breach how to spawn omni card. Jean-Michel DAMASE (1928-2013)
Scherzo for flute and piano (1957) [4.07]
Trio for flute, oboe and piano (1962) [19.35]
Variations for flute and piano (1985) [11.02]
Quatuor for flute, oboe, clarinet and piano (1992) [15.56]
Duettino for flute and piano (2003) [2.34]
Ransom Wilson (flute)
Jean-Michel Damase (piano)
Jacques Tys (oboe)
Arnaud Leroy (clarinet)
Jean FRANÇAIX (1912-1997)
Suite for solo flute (1962) [12.12]
Divertimento for flute and chamber orchestra (1974) [10:30]
Ransom Wilson (flute)
Orpheus Chamber Ensemble
rec. October 2010, Eglise Pierre Nicole, Paris 15eme (Damase); March 1974, CBS 30th Street Studios, NYC (Françaix)
NIMBUS ALLIANCE NI6304 [76.08]There are lots in common between Jean-Michel Damase and Jean Françaix – both were pianists-composers who wrote generally light-hearted music that is more accessible than that of many of their contemporaries. Like many 20th century French composers, both wrote a fair number of pieces for wind instruments. It is therefore quite fitting that their works for flute are coupled on this Nimbus album.
Jean-Michel Damase’s musical style was much more tonal than many of his contemporaries, and largely remained so till the end of his life. The pieces featured here span almost half a century. The Scherzo for flute and piano dates from 1957. The Trio for flute, oboe and piano (1962) opens with dissonance between flute and oboe, sounding almost like bi-tonal, but is otherwise light-hearted and mostly diatonic, save for a return of the opening dissonance in the last movement.
The Quartet for flute, oboe, clarinet and piano was written in 1992 specifically for Ransom Wilson. The Variations and the Duetto, though written almost 20 years apart, are very similar in style.
Jean Françaix’s Suite for solo flute from 1962 is in six movements: Caprice; Pavane; Saltarelle; Allemande; Menuet; and Marche. It is an attractive piece of music that I didn’t know before. The Divertimento was written originally for flute and piano in 1953 and dedicated to and premiered by Jean-Pierre Rampal. The 1974 revision heard here, scored for chamber orchestra accompaniment with a revised solo part, was commissioned and premiered by Ransom Wilson.
Ransom Wilson has turned increasingly into conducting in recent years. He was about 59 years old when the Damase recording was made. I am not an expert on flute playing, but to my ears much of his playing in the third octave sounds laboured, and the intonation at the very top is not always immaculate. Lenovo t61 mini card driver. The Françaix recording from 36 years earlier showcases Ransom Wilson in much more imperious form, with the considerable technical challenges tackled with ease and the overall playing sounding effortless.
Jacques Tys and Arnaud Leroy are both soloists with the Paris Opera and teachers at the Paris Conservatoire. Jacques Tys is one of the last examples of the older French school of oboe playing. His very limited recording output belies an oboist of his stature. In the Trio and the Quartet, however, there are some spots with suspect intonation between the flute and the oboe. Damase was over 80 years old at the time of the recording session, and his playing belies his age.
The English-only booklet contains essays by Ransom Wilson as well as by Julian Haylock, which are highly informative. Detailed bios of the performers are also given.
Damase, Jacques Tys and Arnaud Leroy had appeared on a similar album on Pierre Verany, playing the Trio and the Quartet with a different flutist, who plays some different flute pieces by Damase. Unfortunately I cannot locate my copy of the Pierre Verany CD from my collection for comparison. In terms of repertoire and playing time, this Nimbus album has the edge that additional items by Jean Françaix are included. Overall the repertoire is highly enjoyable, and I would recommend this to those who enjoy the delightful music of Damase and Françaix and simply want a light entertainment.
Wai Kit Leung
Previous review: Dominy Clements
Repertoire List
Once accepted into the FluX, participants need to do the following:
For modern flute, outline and send us a list of three (3) solo works and one (1) etude book that you plan to prepare. These pieces will come from the m-flute list.
For Baroque flute, outline and send us a list of of one piece from each category from the b-flute list that you plan to prepare. In addition, please select three (3) preludes in flat keys from Hotteterre’s L’Art de preluder.
b-flutes:
Baroque unaccompanied
JS Bach, BWV 1013
CPE Bach, H 561 (Wq 132)
Telemann, 12 Fantasias (1, 4, 5, 9, 10, 12)
JD Braun, Pièces sans basse*
J-M Hotteterre, L’Art de preluder*†
John Thow, To Invoke the Clouds (1995, solo version)
Cary Boyce, Die Möwe und das Meer (1995)
Hans-Martin Linde, Anspielungen (1999)
Patricio da Silva, Recursions (2007)
Benjamin Krause, Spirals (2009)
With continuoJS Bach, BWV 1035
Damase Flute Etudes DefinitionJ-M Leclair, Sonata in e, Op. 9, no. 2, from
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Find Jean-Michel Damase composition information on AllMusic. For flute & piano. Etude: Fantaisie sur des motifs des Contes d’Hoffmann, for harp.Damase Flute Etudes NotesQuatrième Livre de Sonates *
Quintet for flute, harp, violin, viola, and cello Sonata for flute and harp. Variations ’Early Morning’ Trio for flute, harp, and cello Music for Oboe, Horn and Piano Jeremy Polmear, oboe; Stephen Stirling, horn; Richard Saxel, piano. Oboe Classics – CC2022. Trio pour hautbois, cor et piano. Music from France for Flute and Harp (1988). Jean-Michel Damase: 50 Etudes Faciles Et Progressives Vol 2: Flute Score Sheet Music & Songbooks Subtitle: 25 Etudes Pour Flute: Instrumentation: Flute. Etudes: Michael Colquhoun: 9 Etudes for the Contemporary Flutist Jean-Michel Damase: 24 Etudes pour Flute Robert Dick: Tone Development through Extended Techniques Robert Dick: Flying Lessons Gergely Ittzes: Just a Tube Wil Offermans: For the Contemporary Flutist Plus Electronics: Elizabeth Brown: Arcana Emanuele Casale: Studio 2B for alto flute.JG Müthel, Sonata in D (Pineda edition)
Damase Flute Etudes MeaningMP de Monteclair, Deuxiéme Concert, 1724*†
Damase Flute Etudes GuitarTartini, Sonata in A, from the Giedde Collection*
Damase Flute Etudes Meaning
Baroque unaccompaniedJS Bach, BWV 1013
CPE Bach, H 561 (Wq 132)
Telemann, 12 Fantasias (1, 4, 5, 9, 10, 12)
Same as for b-flutesDamase Flute Etudes PianoSolo C Flute:
Robert Aitken: Plainsong
Luciano Berio: Sequenza
Elliott Carter: Scrivo in Vento
Robert Dick: Lookout
Kazuo Fukushima: Mei
Marco Granados: La Bella e El Terco
Jennifer Higdon: Rapid Fire
Philippe Hurel: Loops
David Lang: Thorn
Robert Muczynski: Three Preludes
Shulamit Ran: East Wind
Bernard Rands: Memo 4
Salvatore Sciarrino: Morte Tamburo
Toru Takemitsu: Itinerant
Toru Takemitsu: Air
Toru Takemitsu: Voice
Edgard Varese: Density 21.5
Alto Flute:
Andre Jolivet: Asceses
Mario Lavista: Nocturne
Kaija Saariaho: Couleurs du Vent
Karlheinz Stockhausen: Suzani’s Echo
Piccolo:
Karlheinz Stockhausen: Zungenspitzentanz
Kaija Saariaho: Dolce Tormento
Etudes:
Michael Colquhoun: 9 Etudes for the Contemporary Flutist
Jean-Michel Damase: 24 Etudes pour Flute
Robert Dick: Tone Development through Extended Techniques
Robert Dick: Flying Lessons
Gergely Ittzes: Just a Tube
Wil Offermans: For the Contemporary Flutist
Plus Electronics:
Elizabeth Brown: Arcana
Emanuele Casale: Studio 2B for alto flute
Derek Charke: Warning! Gustnados Ahead
Kotoka Suzuki: Slipstream
Download here: http://gg.gg/oh69w
https://diarynote-jp.indered.space
*Damase Flute Etudes Definition
*Damase Flute Etudes Notes
*Damase Flute Etudes Meaning
*Damase Flute Etudes Guitar
*Damase Flute Etudes Meaning
*Damase Flute Etudes Piano
Scp containment breach how to spawn omni card. Jean-Michel DAMASE (1928-2013)
Scherzo for flute and piano (1957) [4.07]
Trio for flute, oboe and piano (1962) [19.35]
Variations for flute and piano (1985) [11.02]
Quatuor for flute, oboe, clarinet and piano (1992) [15.56]
Duettino for flute and piano (2003) [2.34]
Ransom Wilson (flute)
Jean-Michel Damase (piano)
Jacques Tys (oboe)
Arnaud Leroy (clarinet)
Jean FRANÇAIX (1912-1997)
Suite for solo flute (1962) [12.12]
Divertimento for flute and chamber orchestra (1974) [10:30]
Ransom Wilson (flute)
Orpheus Chamber Ensemble
rec. October 2010, Eglise Pierre Nicole, Paris 15eme (Damase); March 1974, CBS 30th Street Studios, NYC (Françaix)
NIMBUS ALLIANCE NI6304 [76.08]There are lots in common between Jean-Michel Damase and Jean Françaix – both were pianists-composers who wrote generally light-hearted music that is more accessible than that of many of their contemporaries. Like many 20th century French composers, both wrote a fair number of pieces for wind instruments. It is therefore quite fitting that their works for flute are coupled on this Nimbus album.
Jean-Michel Damase’s musical style was much more tonal than many of his contemporaries, and largely remained so till the end of his life. The pieces featured here span almost half a century. The Scherzo for flute and piano dates from 1957. The Trio for flute, oboe and piano (1962) opens with dissonance between flute and oboe, sounding almost like bi-tonal, but is otherwise light-hearted and mostly diatonic, save for a return of the opening dissonance in the last movement.
The Quartet for flute, oboe, clarinet and piano was written in 1992 specifically for Ransom Wilson. The Variations and the Duetto, though written almost 20 years apart, are very similar in style.
Jean Françaix’s Suite for solo flute from 1962 is in six movements: Caprice; Pavane; Saltarelle; Allemande; Menuet; and Marche. It is an attractive piece of music that I didn’t know before. The Divertimento was written originally for flute and piano in 1953 and dedicated to and premiered by Jean-Pierre Rampal. The 1974 revision heard here, scored for chamber orchestra accompaniment with a revised solo part, was commissioned and premiered by Ransom Wilson.
Ransom Wilson has turned increasingly into conducting in recent years. He was about 59 years old when the Damase recording was made. I am not an expert on flute playing, but to my ears much of his playing in the third octave sounds laboured, and the intonation at the very top is not always immaculate. Lenovo t61 mini card driver. The Françaix recording from 36 years earlier showcases Ransom Wilson in much more imperious form, with the considerable technical challenges tackled with ease and the overall playing sounding effortless.
Jacques Tys and Arnaud Leroy are both soloists with the Paris Opera and teachers at the Paris Conservatoire. Jacques Tys is one of the last examples of the older French school of oboe playing. His very limited recording output belies an oboist of his stature. In the Trio and the Quartet, however, there are some spots with suspect intonation between the flute and the oboe. Damase was over 80 years old at the time of the recording session, and his playing belies his age.
The English-only booklet contains essays by Ransom Wilson as well as by Julian Haylock, which are highly informative. Detailed bios of the performers are also given.
Damase, Jacques Tys and Arnaud Leroy had appeared on a similar album on Pierre Verany, playing the Trio and the Quartet with a different flutist, who plays some different flute pieces by Damase. Unfortunately I cannot locate my copy of the Pierre Verany CD from my collection for comparison. In terms of repertoire and playing time, this Nimbus album has the edge that additional items by Jean Françaix are included. Overall the repertoire is highly enjoyable, and I would recommend this to those who enjoy the delightful music of Damase and Françaix and simply want a light entertainment.
Wai Kit Leung
Previous review: Dominy Clements
Repertoire List
Once accepted into the FluX, participants need to do the following:
For modern flute, outline and send us a list of three (3) solo works and one (1) etude book that you plan to prepare. These pieces will come from the m-flute list.
For Baroque flute, outline and send us a list of of one piece from each category from the b-flute list that you plan to prepare. In addition, please select three (3) preludes in flat keys from Hotteterre’s L’Art de preluder.
b-flutes:
Baroque unaccompanied
JS Bach, BWV 1013
CPE Bach, H 561 (Wq 132)
Telemann, 12 Fantasias (1, 4, 5, 9, 10, 12)
JD Braun, Pièces sans basse*
J-M Hotteterre, L’Art de preluder*†
John Thow, To Invoke the Clouds (1995, solo version)
Cary Boyce, Die Möwe und das Meer (1995)
Hans-Martin Linde, Anspielungen (1999)
Patricio da Silva, Recursions (2007)
Benjamin Krause, Spirals (2009)
With continuoJS Bach, BWV 1035
Damase Flute Etudes DefinitionJ-M Leclair, Sonata in e, Op. 9, no. 2, from
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Find Jean-Michel Damase composition information on AllMusic. For flute & piano. Etude: Fantaisie sur des motifs des Contes d’Hoffmann, for harp.Damase Flute Etudes NotesQuatrième Livre de Sonates *
Quintet for flute, harp, violin, viola, and cello Sonata for flute and harp. Variations ’Early Morning’ Trio for flute, harp, and cello Music for Oboe, Horn and Piano Jeremy Polmear, oboe; Stephen Stirling, horn; Richard Saxel, piano. Oboe Classics – CC2022. Trio pour hautbois, cor et piano. Music from France for Flute and Harp (1988). Jean-Michel Damase: 50 Etudes Faciles Et Progressives Vol 2: Flute Score Sheet Music & Songbooks Subtitle: 25 Etudes Pour Flute: Instrumentation: Flute. Etudes: Michael Colquhoun: 9 Etudes for the Contemporary Flutist Jean-Michel Damase: 24 Etudes pour Flute Robert Dick: Tone Development through Extended Techniques Robert Dick: Flying Lessons Gergely Ittzes: Just a Tube Wil Offermans: For the Contemporary Flutist Plus Electronics: Elizabeth Brown: Arcana Emanuele Casale: Studio 2B for alto flute.JG Müthel, Sonata in D (Pineda edition)
Damase Flute Etudes MeaningMP de Monteclair, Deuxiéme Concert, 1724*†
Damase Flute Etudes GuitarTartini, Sonata in A, from the Giedde Collection*
Damase Flute Etudes Meaning
Baroque unaccompaniedJS Bach, BWV 1013
CPE Bach, H 561 (Wq 132)
Telemann, 12 Fantasias (1, 4, 5, 9, 10, 12)
Same as for b-flutesDamase Flute Etudes PianoSolo C Flute:
Robert Aitken: Plainsong
Luciano Berio: Sequenza
Elliott Carter: Scrivo in Vento
Robert Dick: Lookout
Kazuo Fukushima: Mei
Marco Granados: La Bella e El Terco
Jennifer Higdon: Rapid Fire
Philippe Hurel: Loops
David Lang: Thorn
Robert Muczynski: Three Preludes
Shulamit Ran: East Wind
Bernard Rands: Memo 4
Salvatore Sciarrino: Morte Tamburo
Toru Takemitsu: Itinerant
Toru Takemitsu: Air
Toru Takemitsu: Voice
Edgard Varese: Density 21.5
Alto Flute:
Andre Jolivet: Asceses
Mario Lavista: Nocturne
Kaija Saariaho: Couleurs du Vent
Karlheinz Stockhausen: Suzani’s Echo
Piccolo:
Karlheinz Stockhausen: Zungenspitzentanz
Kaija Saariaho: Dolce Tormento
Etudes:
Michael Colquhoun: 9 Etudes for the Contemporary Flutist
Jean-Michel Damase: 24 Etudes pour Flute
Robert Dick: Tone Development through Extended Techniques
Robert Dick: Flying Lessons
Gergely Ittzes: Just a Tube
Wil Offermans: For the Contemporary Flutist
Plus Electronics:
Elizabeth Brown: Arcana
Emanuele Casale: Studio 2B for alto flute
Derek Charke: Warning! Gustnados Ahead
Kotoka Suzuki: Slipstream
Download here: http://gg.gg/oh69w
https://diarynote-jp.indered.space
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